GIGS
• BIOG
• PHOTOS • SUGGESTIONS
• DESERT ISLAND DISCS • CONTACT
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| A SMALL MAN WITH A FAT BOTTOM END.
Always an elusive bunch, it is something of a coup these days to be
granted an audience with a High Barnet. I enter the Cafe and scour the
packed tables, creaking with builders hunched over plates of fried breakfasts
and spot Arron desperately trying to pull himself onto a stool without
me seeing.
"Everyone wants a piece of Barnet at the moment." sighs the
bass player. Arron cuts an unusual figure. Barely five foot in his shoes, (it is rumoured he wears built-up insoles) and with his strange, elfin like hairdo he looks remarkably similar to The Hobbit. He knew he was destined to play bass when, aged 13 he first heard the
magnificent farty bass slide on the intro of Madness' 'Our House' Around about age 17, he hooked up with local drum star and professional loon, Paul ‘Stormy Tempest’ Brewer and started bashing about in the garage behind the service station where Paul worked. “It was very raw and out of tune but we locked in immediately.” remembers Arron. “Stormy was a revelation to me, he played like the drummers I
loved such as Bonham, Clyde Stubblefield (look him up), and Dave Clark.”
To cut a long and rather tedious story short, the pair became inseparable as a rhythm section and over the following 17 years have been ebbing and flowing with various bands before finally settling aboard the good ship Barnet. “I even bought a place opposite Stormy’s!” laughs Arron before his eyes narrow and take on a nervous look as they dart around the café. “He watches me you know.” He leans in toward my tape recorder. “Seriously, he doesn’t think I know, but I seen him at his window, the cigarette burns in the net curtains give him away.” He orders a Vimto and chips as I ask him what makes The High Barnets
such an outstanding combo. “It’s many things and nothing.”
He answers cryptically. Twat. “And what does the future hold for the Barnets?” I ask him, barely able to contain my growing hatred for this arrogant little… “Let me put it like this, “ he starts. “If we knew what the future held, it would be no fun, would it?” “So you have nothing booked for the future then?” “No.” It turns out that this is not entirely true as there are some more gigs in the pipeline. I look at my watch and mutter something about a train I have to catch
as he drains his can of pop. “Thanks for your time and all the
best for the future.” I speedily drag my coat off the back of
the chair and make for the door.
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© The High Barnets 2012 |